Justin and Kyle sit down with special guest and Producer Daniel Alter to talk about the recent murmurings about the future of Star Wars saga, the merger of Warner Bros and AT&T, The Batman, Aquaman and so much more!
By Drew Kiess
Superman fans have been asking for five years now about when we can expect the next Superman movie (that is, if you don’t count Batman v Superman or Justice League as Superman movies) will hit the big screen. Personally, seeing as Superman is my favorite superhero (please, no questions at this time), I share the sentiment. I am absolutely of the opinion that the more Superman content in the world, the better.
Leading up to Justice League, there was a lot of chatter about how Warner Bros. was really excited for this retooled version of Superman, and how they were hoping it would be a launching pad for more stories with him. Unfortunately, the portrayal of the character was overshadowed by the controversy surrounding the CGI used to remove Henry Cavill’s moustache. However, beneath all of that was a vision of Superman that I believe has a lot of potential moving forward, particularly seeing and hearing how much Cavill enjoyed it.
In the end, Justice League did not prove to be the right vehicle to showcase this new Superman. Criticism from Snyderites aside, there was just too much drama surrounding the film and not enough tickets purchased to accurately gauge the audience’s appreciation of any aspect of the movie. Which is a shame because I still happen to think the film is a blast, even with the rough edges.
If Superman is going to continue on for DC Films, a new vehicle is needed to bring him back into the good graces of general audiences. Rumors have been swirling for some time now that that vehicle will be next year’s Shazam!. This would be perfect.
If the reports are correct about Shazam! taking its cues from the Geoff Johns ”Justice League” stories, then this Billy Batson is going to need a mentor. In a world where Superman actually exists, how would Billy and his friends view him? Some may see him as a hero, others as just a big blue boy scout. It could be fun to see this played out and watch Billy learn to be a hero from someone like Superman.
From a logical point of view, adding Superman into Shazam! makes sense. For one, it adds a recognizable hero into a movie starring an untested one. Although Shazam is not exactly an unknown, he certainly has not been a heavy hitter in some time, and Superman could add a level of familiarity to the project. And as mentioned above, this would be a solid vehicle to portray Superman in a new light for the audience. He is no longer the new kid on the block like he was in Man of Steel, and he’s no longer facing personal doubt like he was in Batman v Superman.
It’s time to finally see Superman as the veteran superhero that the new heroes can look up to and too finally be the example that others are striving to be like. Billy Batson is the perfect opportunity to display that side of the character. Not doing this would be a widely huge missed opportunity.
It’s time to bring Superman into a role of mentorship. If not in Shazam!, then soon. If DC Films wants to make Superman viable again in their film universe, then it needs to strike now and not wait around. We already have the perfect actor. It’s time to give him the perfect Superman.
Justin and Kyle fire up the microphones to talk about recent DC news including the merging between Time Warner and AT&T, the upcoming reveal of the Aquaman and Shazam trailer, as well as Geoff Johns working on Green Lantern! Finally the guys chat the news of Ben Affleck leaving the role of Batman, courtesy of the Forbes Article from Mark Hughes
by Drew Kiess
The following contains spoilers for Doomsday Clock #5
There Is No God
With every issue released of Geoff Johns and Gary Frank’s Doomsday Clock, we find ourselves in a much darker world. Finding stories in our real world to be inspired by is becoming increasingly difficult, and we all seem to be living in a world without heroes.
I’m not even sure Alan Moore himself would have written a script this twisted.
“There Is No God” is the fifth chapter of the follow-up to Moore’s Watchmen. The Supermen Theory is becoming reality daily, and Lex Luthor’s would-be assassin Adrian Veidt is recovering from a fall in the hospital. Hawk and Dove have been arrested in St Petersburg for political rioting, and the world is falling apart.
What we have seen over the past several years is the decay of real-life heroes. In the age of the internet, it’s only a matter of time before every good guy has his dirty skeleton drug out of the closet and put on display. In many ways, this is what 1986 did to comic book superheroes.
While the intention of Watchmen and The Dark Knight Returns was never to turn the world of superheroes into the world of dark and brooding, it certainly had that effect on the industry. It’s well documented how serious superhero stories became in light of the success of those books.
Superheroes have always reflected the culture in some way, but originally, that reflection was always reversed—a mirror in which to see that we could do and be better.
Action Comics #1 is about a man standing up for the poor and the weak. It was written by two poor Jewish boys from Cleveland, Ohio. It reflected their world, but wasn’t about presenting the world as it was, but as they hoped it could be. A savior, finally come. An Übermensch come to set things right.
And for some time, we cheered with glee as the hero prevailed. Evil loses, good wins and everyone cheers. But at some point we came to believe that the hero had to be flawed, had to lose from time to time, and might even be part of the problem.
Superman Is The Only Thing You Can Believe In
Johnny Thunder in this series, at least for me, represents an era of comics-gone-by. Him and the Legion have always been something of a relic from the golden (and even somewhat silver) age of comic books. As we know, the Legion is gone and Thunder is aimless. This has been the most captivating element of this book so far, inasmuch as it’s the story with the least amount of revelations. What exactly is Johnny hoping to accomplish, and what in the world does the Lantern have to do with it?
Rorschach saves Thunder from being mugged. In this moment, a character with a legacy of death and cynicism saves a character from a simpler, more optimistic time. Maybe heroes do still exists.
Meanwhile, Superman himself makes his first appearance since the closing panel of the first chapter. While the story has yet to give him much to do, he overhears that is a metahuman that is responsible for Supermen Theory, adding to the mystery. Can we trust our heroes, especially the good ones?
Everything Evens Out
While this issue is light on narrative, its subtext is rich. The things we hope in determines our path in life. Are we resigned to the failures of our heroes? Must we fall prey to the negativity around us? If Superman over the years has taught us anything, it’s that hope in a better world than our own is never misplaced.
While the thesis is that there is no God, the trajectory is faith. This isn’t Moore’s world anymore. Superman isn’t Manhattan, and so there is hope to be had that good will, in fact, win. While this may not have been the most memorable or ground breaking issue, but it has given me much to think about over the last few weeks. The Reconstruction continues.
“The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.” -Tolkien
by Drew Kiess
Can I rant for a minute? Because I feel like ranting. Every other blog writer for geek stuff gets to do it, so why not me?
Overall, it has been a bad year for fandom. Not just DC fandom, mind you– all of fandom. Star Wars fans turning on each other and bullying individuals involved in a movie they didn’t like, Marvel fans using success as a weapon instead of an invitation for improvement, and Snyder fans turning every possible scenario into an opportunity to harass and belittle individuals who were only doing their job. The rest of us are left in the cold trying to fend for ourselves.
The reality is that we have created this mess. Our feverish desire for more of our geek-flavored product has caused a cheapening of what we once held precious. This is why we get a Han Solo movie that no one asked for (regardless of whether you liked the film or not, can we at least admit it’s still a little bizarre?) and its why we have Warner Bros. now scrambling to find Jared Leto’s Joker something to do.
Suicide Squad 2 is in apparent limbo, and Matt Reeves doesn’t want anything to do with Joker, and with Margot Robbie now attached to the moving train that is Birds of Prey, there isn’t really an obvious landing place for the character that for some reason, Warner Bros. has deemed a priority. Thus, we get the announcement today that Jared Leto will be starring in his own film as the Joker.
We may not have asked for this, but we absolutely asked for this.
The only thing that is currently known about this film is that Leto will star and produce. No writer, no director, and no production date have been given. So, in essence, its a concept without any skeleton.
I have done my best to remain positive regarding DC Films. As a matter of fact, I have liked to even loved every single entry to this point (yes, I liked Suicide Squad, Leto included). But it is becoming increasingly difficult to stand behind a studio that doesn’t seem to understand why these characters matter in the first place. Joker exists to challenge Batman. Without that dynamic, it is difficult to comprehend what the draw will be. Add that to the fact that Leto’s Joker was not particularly well received. It makes me wonder who exactly this film will be aimed at.
Time will tell if this will even be made (I have my doubts), but it seems like this is what happens when we push these studios for content. Long gone are the days when we were happy we had just one great comic book franchise. Now we need ten, plus.
And all this… and still no Superman movie. Explain that.
Jared Leto is set to star and Exec. Produce and upcoming “Joker” standalone film at Warner Bros.
Now that the “Birds of Prey” film is off the ground and in the earliest stages of pre-production, the studio has shifted focus on getting Leto on board to reprise his role as the clown prince of crime.
Variety’s Justin Kroll revealed that Leto and other characters from 2016’s “Suicide Squad” will begin to branch off into their own respective films. Margot Robbie is set to reprise her role as Harley Quinn in a future “Birds of Prey” film. Plot details for both upcoming films are unknown.
Warners still has plans on developing a “Joker” solo film with Todd Phillips in the director’s chair and Martin Scorsese producing. The plan going forward will still allow multiple actors portray the same character going forward in the DC Cinematic Universe.
by Drew Kiess
As I write this, it is the 28th of May, 2018. We’ve been living under the threat of a new actor playing Batman for somewhere around a year now, since Ben Affleck dropped out as the director of his own film. Rumors of who it could be, and whether or not Ben Affleck would change his mind (or what his mind actually is regarding playing the role) have been swirling in the wind like the garbage from an unsatisfying fast food meal in a shopping mall parking lot.
Once upon a time, not that long ago, we all seemed fairly sure that Jake Gyllenhaal would be taking on the cowl, but with Marvel’s Spider-Man Homecoming bringing him in as Mysterio, that rumor proved to be all smoke and no fire. Now, the rumors seem to be swinging back around to Affleck wishing to stay. And perhaps that may be true. But, in the end, I am not so sure it really matters how things look today.
When Batman v Superman was first announced, there were so many names floating around as to who would be playing the role of Batman. I remember Orlando Bloom, Karl Urban, and even a begrudgingly returning Christian Bale all being thrown around by serious to semi-serious outlets as possible solutions to the empty Batcave. But it was a name that was not in the rumor mill, that of Ben Affleck, that ended up being what Zack Snyder and Warner Bros. landed on. And no one saw it coming.
What this tells me is that the honest truth is that we have no idea. We can speculate, we can write articles based on outdated information taken from third hand sources in a game of entertainment espionage, or we can just sit back and wait.
Here’s what we know about the upcoming Batman film: Matt Reeves is developing one. That’s it. That’s all we know, and all we need to know.
From where I sit, if we never received a new Batman movie, I could still die a satisfied man. We have gotten arguably four different versions of the character that are all true to who he is at his core (and one version that isn’t). Why are we owed another one at all? Why can’t we just be satisfied with Warners putting other characters like Shazam and Wonder Woman on the front burner? The Wonder Woman franchise is the new cash cow, and it might just be time to come to terms with that.
And what if Shazam! is a huge hit? That could be a brand new direction for the studio as a whole. Would Batman be as relevant to them at that point? And what if Birds of Prey (should it be properly made as a PG-13 girl power superhero team-up) breaks out and Batgirl becomes the star she deserves to be? There are so many factors that lie between where we are now and what kind of Batman film we will get down the road, that speculation simply does not make sense. That is why, I think, this movie is in for a very long development.
So I could write an article listing all the actors that I think could play Batman, but I’m just not going to do that. I really don’t see a point in wasting your time like that, much less my own. Until I am told otherwise, I will assume that Affleck is still Batman, and if I am told otherwise, I will choose not to jump to conclusions until I’m given the appropriate information about how his replacement has performed in the role.
I am just really…really… over the speculation game. There’s just nothing interesting to say about it.
Kyle and Justin sit-down with Revenge of The Fans Editor in Chief Mario Francisco Robles, and discuss the ongoing situation with Ben Affleck as Batman. Additionally, the guys chat about the recent passing of Margot Kidder, the upcoming ‘Pennyworth’ television series that will debut on EPIX and the upcoming DC Films slate! Hit the link for that and so much more!
By Drew Kiess
Oh, boy… where to start with this one?
I suppose I will start by admitting that this is a review of the dubbed version of Batman Ninja. I am not an anime fan, so watching the movie with subtitles would have been a chore for me. For some, that may disqualify me altogether from reviewing this. That would be fair. I can only approach this from the standpoint of being a Batman fan, so that is the angle from which this review is written.
There. The qualifier is done.
Batman Ninja is the newest addition in the long line of DC Animated movies, this time from Warner Bros. proper and not from any of its subdivisions, such as Warner Premier. This movie will see a theatrical release in Japan, and I sincerely wish it all the success in the world there. The film was directed by Junpei Mizusaki, with Roger Craig Smith providing the dubbing for Batman, Tara Strong for Harley Quinn, Grey Griffin for Selina Kyle, and Tony Hale for the Joker.
When Gorilla Grodd’s time travelling experiment sends Batman, his allies—Nightwing, Red Robin, Robin, Alfred, Red Hood, and Catwoman—and his greatest foes—Joker, Harley Quinn, Two-Face, Penguin, and Deathstroke—back in time to feudal Japan, Batman must learn the ways of the ninja in order to return everyone back to Gotham. As the movie opens, the CG animation is striking. The movements look fluid and the action is more captivating than anything DC animation has put out in some time.
This quality in the visuals is almost constant throughout and the eyes never get bored watching the movie. The one strike against this is a baffling change in style about midway through the film that seemingly serves no storytelling purpose, but this alone does not sink this movie.
What keeps this movie from being great in my eyes is its over reliance on its own medium. The film sets itself up in ”our Gotham”, and then transports the familiar back in time to feudal Japan, but the rules of feudal Japan are not the rules of “our Gotham”—it exists very much by the rules of anime.
And this would be fine, if the movie set itself up as an anime first, set in an anime world. By trying to its cake and eat it, too, the film loses its punch. If fighting mechanical castles were necessary to the overall arc of the film, perhaps it would have been better to simply establish that the world that this Batman lives in is that kind of world, and not bother with the whole time travel ruse (It’s hard not to feel like Randall from Clerks, here. “I don’t appreciate your ruse, ma’am. Your cunning attempt to trick me).
What saves this movie for me is the characterization of Batman, which never feels false to the character, and the aesthetic. It is also incredibly refreshing to see a DC animated movie that doesn’t feel reliant on sophomoric sexual overtones that have become tiresome in recent entries. The characterization of the other characters, however—save, perhaps, Selina Kyle—is all over the map and not really as true as I would prefer.
Overall, I am lukewarm on Batman Ninja. This very well may be a great movie that simply wasn’t made for me. What I can say is that the film is absolutely gorgeous, and the marketing on just how good this film looks was not overstated. If you are a Batman fan or an anime fan, I would say that Batman Ninja is worth checking out. But if you are not as into anime as you are into Batman, then this may not be for you, either.
Final Grade: B-
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The band is back together at last! Justin, Kyle, and Tom catch up on recent DC movie news and talk about their current thoughts on Aquaman, Shazam, and DC’s new streaming service.