It’s hard to believe that we are just a few days away from being in a theater and watching some of our favorite superheroes fighting side-by-side for the first time. Justice League premieres now in less than a week and it feels like Twitter is so full of 280-character opinions that it is about to burst at the seams.
With the social media embargo lifting on Friday, we now have some of the first verified opinions on Justice League. While there have been a few killjoys, it does sound like we are in for a good time when the film finally rolls. A quintessential part of getting hyped up for these DC Films has been listening to the musical score the week before. I am not entirely sure if there is another franchise, with the exception of Star Wars, where the musical score is so closely analyzed. (How many people remember the Twitter debates surrounding the score for Fantastic Beasts and Where to Find Them? Yeah, I don’t either.)
The Justice League score, like much about this movie since the departure of Zack Snyder, has been under the microscope since it was announced that it would be Danny Elfman instead of the previously announced Junkie XL, who co-composed for Batman v Superman and impressed us all with his soundtrack for Mad Max: Fury Road. Danny Elfman, of course, has had his fair share of superhero work, from Tim Burton’s Batman, Sam Raimi’s Spider-Man, and Joss Whedon’s The Avengers. From a personal point of view, his score for Spider-Man 2 is among my favorite comic book movie scores of all time, and I was excited to hear what he had come up for Justice League.
Fan reaction to the score has been an interesting one to watch. I will say that I do not think it works as well as a standalone listen as much as what Hans Zimmer put together for Man of Steel and Batman v Superman. That does not mean that it is a bad score.
There are scores we listen to specifically because it reminds us of a movie we love. Elfman’s Batman score is actually a perfect example of this. Outside of the main theme and Decent Into Mystery, I would argue that there are not a lot of tracks that would standalone if not for the emotional connection to a movie that we love. Clint Mansell’s Noah score is an example for me of the opposite, great pieces of music that are used within a movie.
If I am to fully judge Elfman’s score, I will need to hear it in context. I will say, I am a fan of the call-backs to the classic Batman and Superman themes. If the response to complaints about Batman and Superman not behaving like themselves in previous films has been answered by, “well, they’re building up to being the heroes we all love”, then I personally like using the classic musical cues to indicate that they are behaving at their best and most heroic.
I do want to signal out Sigrid’s Everybody Knows cover, the opening track on the soundtrack. It is a standout and has always been lyrically a very somber song. My curiosity is certainly piqued as to how this relates to the story Snyder and Whedon are telling with Justice League.
I am no musical expert. But after listening to the Justice League soundtrack, I can say that I fully believe it can work. I cannot wait to hear those classic themes fill up a theater next week. Be sure to keep the conversation going and tell us what you think!
Make sure you follow Drew on Twitter @drew_kiess
Follow us on Twitter @ShanlianOnBat
Facebook Shanlian On Batman