by Drew Kiess
How to describe a movie like Justice League? Or, a better question, how to describe a movie like Justice League in a way that it has not already been described?
Let’s look over what we know: yes, we know that the post-production process on this movie was less than smooth for various reasons, chief among them a personal tragedy in the director’s family. Yes, we also know that the critical hill for this movie to climb was probably much too steep and the comparisons to the distinguished competition were unavoidable (how could anything measure up to what is already locked-in as a cultural phenomenon?). And yes, we also know that the tone of this film was shifted even further from the somberness of its predecessor due to critical feedback.
We know all that. What we don’t know is how things would have turned out otherwise. I can only review this movie for the movie I saw in the theaters and not the movie that I thought we were getting. Maybe someday we’ll get to see that movie (we’re just now getting to see the three hour version of 1978’s Superman The Movie, so there’s always hope), but this is the Justice League movie we got. And—honestly—I loved it.
To say a movie is imperfect seems like a critical cheat, but it is also important to say in this case. While I think most of the imperfections pointed out aren’t necessarily the same problems I have with the film (most of my complaints involve the ever-hated spoilers, so I will avoid talking too much about them), this is the first of the three Snyder DC Films entries that I’m comfortable with letting the critical onslaught hit without much argument. Perhaps that says more about me than the movie, but this is not quite the same kind of movie as Man of Steel and Batman v Superman. If you hated those movies, you might take that as a relief. As someone who loved them, it is a bit of a dunk in cold water.
What exists instead, though, is just as reverent a love letter to DC Comics fans. Never did I dream of seeing pieces from Jack Kirby’s Fourth World on a big screen. Seeing Commissioner Gordon (played well by J.K. Simmons) speaking with Batman and Wonder Woman and The Flash and Cyborg on a rooftop is a treat. And for anyone who has read the works of Kirby, Grant Morrison’s Rock of Ages, or Geoff John’s Justice League: Origins, there is plenty to keep you geeking out from the opening titles to the close of the credits. And yes, that end credits scene is as good as you’ve been told.
Of the major characters, most for me were given a fantastic show case as to what makes them amazing characters. There is one character that I felt may have been shortchanged, but that may be super spoilery (see what I did there?). Steppenwolf was fine. The great thing about using a character like Steppenwolf is that he does not come with a lot of baggage and is disposable without having his fan club become up-in-arms. Quick, name your favorite Steppenwolf comic book! He serves the purpose of providing a threat daunting enough to get the team together, but is not the kind of character who merits a long-winded motivation.
What the movie does well for me is not shying away from the comic book-ness of the whole thing. While the humor, thanks in part to screenwriter (and post-production supervisor) Joss Whedon, is cranked up in Justice League, it never feels aimed at the audience for enjoying these types of stories. It managed to have fun while still telling a cool story ripped almost perfectly from the pages of a comic book. And that may make it a movie that’s not for everyone. But if you’re someone who loves these characters, I highly recommend seeing Justice League with someone who loves these characters with you. There’ll be plenty for you to talk about.
Final score: Comic Code Approved
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